News and Events
SOPHI students top in Australasian Society for Classical Studies prizes
The Department of Classics and Ancient History, the Department of Archaeology and the School of Philosophical and Historical Inquiry warmly congratulate their students, who have won all three of the undergraduate prizes awarded by the Australasian Society for Classical Studies, and announced at its annual meeting in January 2011. First prize winners were:
Essay competition prize: Harrison Jones, on â€œOikist cults at Cyrene, Delos and Eretriaâ€
Greek translation prize: Paul Touyz
Latin translation prize: Nicholas Olson
'THE Greeks and Romans knew what to do about asylum seekers. Our very language reflects the ancient nature of the problem. Refugee, asylum, migrant, sanctuary, all are derived from Greek and Latin roots. Yet the difference between the ancient response and the modern one is striking. For the Greeks and Romans, the correct action to take wasn't debatable. Every right-thinking person knew what to do. When people were washed up on your shore, you fed and clothed them, and offered them a helping hand.'
Classics recruit focuses on politically incorrect Greek
Kevin Lee Postdoctoral Research Fellow, Dr Sebastiana Nervegna, speaks to the Australian's 'Higher Education Supplement' commentator, Luke Slattery about soap opera, comedy, sex and the Greeks, and Classics at the University of Sydney:
'ON my way to interview Sebastiana Nervegna, the latest recruit to a buoyant University of Sydney classics department, I give the address to the taxi driver. "You're interviewing an academic," he snorts. "How exciting. Not."
'His scorn evaporates when I explain that Nervegna is an expert in Menander, a late 4th century Greek playwright who refocused Athenian comedy on domestic intrigues: his tightly constructed plots are driven by sensational lusts and infidelities, peopled with the rich and the poor.
'"So he invented the soap opera," asserts the cabbie with attitude. "Did he also invent farce?' Minutes later I put the question to Nervegna, and she explains that although Menander's work seems to have inaugurated romantic comedy and contains elements that could be seen as farcical, this kind of comedy had precursors.'