News and Events

A Night of Ancient Comedy

The Classics and Ancient History Department of the University of Sydney
and the Nicholson Museum invite you to:

A Night of Ancient Comedy
Thursday, 23 September 2010
6:00 pm (performance starts at 6:30)

Featuring:
‘Playing with Frogs’: A brief introduction by Dr. Alastair Blanshard
Scenes from Aristophanes Frogs (an abridged version of the play in Greek with surtitles)

Tickets: $25, $20 (Friends of the Nicholson Museum), $10 (students)
Bookings should be made through the Nicholson Museum
E-mail: or ph: 9351 2812

See full details here

The Herald

'THE Greeks and Romans knew what to do about asylum seekers. Our very language reflects the ancient nature of the problem. Refugee, asylum, migrant, sanctuary, all are derived from Greek and Latin roots. Yet the difference between the ancient response and the modern one is striking. For the Greeks and Romans, the correct action to take wasn't debatable. Every right-thinking person knew what to do. When people were washed up on your shore, you fed and clothed them, and offered them a helping hand.'


Classics recruit focuses on politically incorrect Greek

The Australian

Kevin Lee Postdoctoral Research Fellow, Dr Sebastiana Nervegna, speaks to the Australian's 'Higher Education Supplement' commentator, Luke Slattery about soap opera, comedy, sex and the Greeks, and Classics at the University of Sydney:

'ON my way to interview Sebastiana Nervegna, the latest recruit to a buoyant University of Sydney classics department, I give the address to the taxi driver. "You're interviewing an academic," he snorts. "How exciting. Not."

'His scorn evaporates when I explain that Nervegna is an expert in Menander, a late 4th century Greek playwright who refocused Athenian comedy on domestic intrigues: his tightly constructed plots are driven by sensational lusts and infidelities, peopled with the rich and the poor.

'"So he invented the soap opera," asserts the cabbie with attitude. "Did he also invent farce?' Minutes later I put the question to Nervegna, and she explains that although Menander's work seems to have inaugurated romantic comedy and contains elements that could be seen as farcical, this kind of comedy had precursors.'